the advert compilation

by Various Artists

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released October 15, 2010

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Track Name: Ben Presto - Wurm
Ben Presto is a member of the new/no wave band Larsen Lombriki. Larsen Lombriki was founded in Rome in 1997 by combining multimedia projects by public art and urban actionism. What began as an idea to put music to the fanzine “RoToR” soon became the creation of innumerable illusory groups and a fictitious label, the Rotor Audio Club. At the present time, Ben Presto lives in Munich, Germany, and plays in different improvisation / avant / noise groups and collectives.
Track Name: Yura Yura - Paoma
Members: Gregory Yura (music - video) & Macha Melanie (performance - dance - video)
Track Name: Micah Torrance - MARABUcaribe
The roaring sixties were nearly over, when two pubescent youngsters also wanted to start a "Beat Band". Not that they haven't any knowledge about making music, they even don't had any instruments.
At this time the compact washing powder was not invented, so one of them came out with a drum kit of the brand "Dash". Soon the other followed with a so-called tea-box-bass with a corpus made by "Ariel". They "played" a bit and decided to add a guitarist. A friend had a guitar, (he just had it) enthusiasticly he agreed, but never ever appeared. Another one had a violin without bow and adjoined for some time. Of course this constellation had something common with punk: No future. The whole thing ended short time later and probably nobody would remember, if they not had that crazy idea to produce at least an album cover for the disc they never will record. They already had the band's name, their artist's names and invented one for the guitarist, there was plenty of imaginative for another group. Soon a number of "records" of different groups and artists were "released".
On the other hand it was the time to give all the beloved toys of childhood away. Only some of the Disney characters I kept, to form a miniature band.
So the "record company" MARABU" was founded.
The two young men grown up, became adult, one moved to another city and they had lost sight.
The little figurine band most of the time was kept in a bag at the basement, to be rediscovered from time to time, receiving a new stage and new members, only to went back to basement again.
Nevertheless I never gave up producing these album-covers-called-collages. Not continuously, but now and then. All photos and materials have been collected for some time, even put at the wall temporarily,and than thrown away eventually. All that stuff at the end stranded at the MARABU, until 2004. Then I thought it will be enough.
In addition to this part-time activity in made-up vacuous album covers, in the mid-seventies I really became involved in music, played in several groups and/or recorded solo.
In 2006, for me, began the digital period. I recieved a lap top and a digital camera, set up the band once again with my little son and started to produce music videos, primarily with the sound material I recorded in all these years, then with recent stuff.
Thus, in 2011, for the first time in over 40 years the MARABU became public.
Track Name: DBPIT & XXENA - advert
DBPIT
der bekannte post-industrielle trompeter is an experimental/industrial music project created after several years of partecipations side by side with the most relevant members of roman underground scene by flavio rivabella in the year 2.000 - its main feature is the presence of the trumpet .
having photography always been his other main interest, dbpit experimented with images too, producing short videoclips and slideshows to accompany his music…
in may 2002 misty circles produced the first solo album by dbpit after which several albums and participations followed;
apart from his "solo" project, he has collaborated with many important bands, like novy svet, spectre, circus joy, macelleria mobile di mezzanotte, lendormin, kenji siratori, kumiko okamura and others;
dbpit has played live in italy, france, germany, latvia, japan and china

XXENA
is a professional graphic-designer and art-editor, she uses music, video-art and painting to express her artistic ego. recently she has made some semi-autobiographical short movies somehow connected to her brightly-coloured, highly graphic paintings in which she represents an imaginary underwater world dwelled by strange alien techno-fish.
fish came not as a choice but as subliminal jungian symbols of the subconscious; their monstrous, mechanical shapes stem from xxena's cyber-punk background while their metal finish have a strong impact on the onlooker, who's kept on the verge of a deep abyss between myth and science-fiction